Archaeology is a tale of peopling that in North America extends our cultural perspective back at least twelve thousand years, a story that Sharman Apt Russell brings to vibrant, contentious life. A history of archaeology in America, written with clear-eyed wit and grace, Russell's book takes the study of our ancestors out of the museum and shows us the immediate, human implications of our forays into the past. Whether exploring the theory that humans caused the extinction of Pleistocene mega-fauna, or the demands for the repatriation of Native American remains, or the meaning of burial mounds in Ohio, Russell keeps in clear view the idea that there are multiple ways of examining the past. She interviews an array of characters who have been instrumental in reshaping modern archaeology and speaks to those, such as Pawnee activists fighting for the return of ancestral remains or a Navajo archaeologist at odds with his people's prohibition against handling the dead, who continue to wrestle with the nature and practice of archaeology today.
Amazon.com Review
Digging up the past creates a number of controversies. Is archaeology a form of desecration? Are archaeological sites resources that must be protected and conserved? How do the people engaged in archaeology deal with these controversies? When the Land Was Young is an expedition into current archaeology issues. Sharman Apt Russell traveled the United States visiting sites and talking to archaeologists, and her reports make for engaging and intelligent writing about the past and how we view it. She explores the conflicts between science and respect for the dead with keen insight; her observations are eloquent and thought provoking. –This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
From Library Journal
Copyright 1996 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
From Booklist
Russell has examined a variety of issues pertaining to life in the Southwest in her previous books, Songs of the Fluteplayer (1991) and Kill the Cowboy (1993). Here she greatly expands her geographic scope as she presents a lively, confident, and free-flowing history of archaeology in America. Imaginatively journalistic, Russell offers vivid portraits of archaeologists, then turns their theories about the first human migrations to North America, the origins of agriculture, and the evolution of culture into dramatic, even visionary scenarios. All too often, archaeologists have neglected the human factor, concentrating solely on artifacts and various methods of determining chronology. Russell addresses the ramifications of this shortcoming with wit and sensitivity, then roots out the insidious, perhaps unconscious sexism that skewed so many early studies. Contemporary archaeologists, she reports, are much more aware of how intrinsic women were to the evolution of all facets of civilization, especially the cultivation of plant species. Russell explains both sides of a number of intriguing controversies and describes various sites across the country, including earthworks in Ohio and Illinois, with keen interpretative finesse. Donna Seaman –This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
A leisurely, recondite crawl through various conundrums besetting today’s archaeologists, elegantly handled by one of their own. Russell (Kill the Cowboy, 1993, etc.) loves archaeology, “the tale of our first awkward relationship, the wrestling match of humans and the natural world,” and when she stumbles across a sherd of Mogollon plainware, a fragment of Mimbres pottery, a 3,000-year-old piece of cordage, she feels the thrill of time travel, of making a distant connection. Then she replaces the relic where she found it; that little piece of history needs, she believes, to remain in situ, so that others in the future may feel the weight of its place and context–museums won’t do, nor will the mantlepieces of deep-pocketed collectors. The notion of “context” pervades this book. What does it mean to take artifacts from their location? Who do they belong to? What do they lose by being separated from their site? And, as much of the book has to do with the remains of Native American cultures in the southwestern US, what are the specific questions of accountability archaeologists should consider when they dig up a grave site in that region? The remains of the people uncovered are, the Zunis believe, still sentient, still voyaging, seeking their next stage. The repatriation of native remains is only one of Russell’s concerns. Her thoughts dance every which way: She explores the problems of “geofacts” and the foibles of quick diagnosis, the pleasures of cave archaeology and paleofecal specimens, ancient roadways and their heavenly orientation, the cultural and ideological baggage that archaeologists bring to their profession. All of this is presented with wonderful facility, a kind of dreamily dilettanish innocence, making these rather rarified concerns the stuff of everday life. Agile, cerebral, ruminative, entirely satisfying. — Copyright ©1996, Kirkus Associates, LP. All rights reserved. –This text refers to an out of print or unavailable edition of this title.
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